[The Society of Calligraphers envelope] (W.A. Dwiggins) dotdotdot documented Albers’ teaching in an

documented Albers’ teaching in an extensive series of over 400 photographs

The most famous book he designed while at Abrams was The History of Art by H

and arts community to see if funds could be raised on his behalf

and Boston publishing history all rolled into one—which is fitting because that’s how we’ll send this to you: Rolled

The two have seamlessly merged the boundaries between graphic design

[The Society of Calligraphers envelope] (W.A. Dwiggins) dotdotdot documented Albers’ teaching in anAn empty envelope is worthless save for its potential to hold a letter. This one is no different save for the fact that it has a return address lettered by Billy Dwiggs. He had Studio No. 201 at 30 Ipswich Street in Boston from 1922 to 1929, but we have reason to believe that this is from 1923ish. A rare thing.